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Home >> Arts >> Music >> Composition >> Composers >> B >> Barbarino, Bartolomeo |
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Bartolomeo Barbarino (called "Il Pesarino") (c.1568 – 1617 or later) was an Italian composer and singer of the early Baroque era. He was the consummate falsettist, and one of a virtually all enthusiastic composers of the future style of monody.
Life Nothing is known all about his early life; his birthdate is inferred from either a description by an English visitant around 1608 who described him as existence "about forty." A number one record on him is from either 1593, when he was listed as an alto within Loreto at Santa Casa. Until 1602 he was in Urbino, where he served two Monsignor Giuliano della Rovere & a Duke of Urbino. From either 1602 to 1605 he worked as organist at Pesaro Cathedral, and later worked inside Padua for the Bishop of Padua. Around 1608 he went to Venice to take part in the Festival of San Rocco. Patently his fame when a singer was far flung at this instance, as he was one of a virtually all distinguished visitant. An English visitant to Venice, Thomas Coryat, left this description of his singing (Coryats Crudities, London, 1611): In the foreword to one of his books of motets, Barbarino wrote that he would sing his works to the accompaniment of the chitarrone, "for my voice is hoarse and frail."
Works About whole of Barbarino's music is in the monodical style, applying one masterful solo voice section accompanied by basso continuo. Outstandingly for a instance, he typically indicated the instruments which were better to apply when accompaniment, including chitarrone, theorbo, and harpsichord. His endure collection of works, the book of madrigals dated to 1617, is for three voices, however as well accompanied by basso continuo. Barbarino published deuce books of motets, both around Venice, also when Xiii separate sacred pieces; in addition he published 5 books of madrigals and one book of canzonette, for a amount of complete 150 pieces. He typically published 2 separate versions of the solo voice the portion for every function: the single heavy embellished & super hard to sing (virtually all probably he sang this version himself); & a simplified version arranged for a less accomplished singer.
Sources
Recording
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Barbarino, Bartolomeo Biography noting his use of Caccini's ideas in his secular and sacred works from the from the Grove Concise Dictionary of Music entry at WQXR radio. Bartolomeo Barbarino Brief biographical sketch with link to related composers of monody and the vocal concerto from the Here of a Sunday Morning radio program. |
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